The Korean War Baby received this update from Deann Borshay Liem
As we start the new year, I wanted to give you a quick update on the progress of my film. As you know, I started “Precious Objects of Desire” a number of years ago to tell the story of Korean adoptions, from the Korean War to present day, while also telling the story of my search to find my “double,” Cha Jung Hee. My intention at the time was to combine a personal narrative with the story of adoptees from around the world.
After a lengthy editing process, I’ve decided to make two films – one that is a personal essay about the journey to find Cha Jung Hee and a second film that will explore in more depth the history of adoptions from Korea and tell the stories of adoptees from both the US and Europe.
The first of these two films, “IN THE MATTER OF CHA JUNG HEE”, is almost complete. A synopsis is below. The film will premiere in March at the San Francisco International Asian American Film Festival (On FaceBook) and then will hit the festival circuit in the summer and fall. Then the film will be broadcast nationally in the US in November on PBS through the award-winning series, Point of View (POV).
IN THE MATTER OF CHA JUNG HEE
Synopsis
“Her passport said she was Cha Jung Hee. She knew she was not. So began a 40-year deception for a Korean adoptee who came to the US in 1966. Told to keep her true identity a secret from her new American family, this eight-year-old girl quickly forgot she was ever anyone else. But why had her identity been switched? And who was the real Cha Jung Hee?
In the Matter of Cha Jung Hee is the search to find the answers. It follows acclaimed filmmaker Deann Borshay Liem as she returns to her native Korea to find her “double,” the mysterious girl whose place she took in America. Traversing the landscapes of memory, amnesia and identity, while also uncovering layers of deception in her adoption, this moving and provocative film probes the ethics of international adoptions and reveals the cost of living a lie. Part mystery, part personal odyssey, it raises fundamental questions about who we are…and who we could be but for the hands of fate.”
The second film, which I am still calling “Precious Objects of Desire”, is still in progress. Most of the film has been shot, transcribed/translated, and digitized. Now I just need to raise funds for editing. If all goes well, my goal is to complete this film by 2011.
Deann Borshay Liem
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Well, how about it folks? Many of you helped raise funds for “Resilience” by Tammy Chu in time to debut in the Pusan International Film Festival last year. Visit MuFilms here and help out in anyway you can. You can use this link to DONATE: mufilms.org/donations
Yes, We CAN. (You don’t know how difficult it is for a “ultra right wing conservative Marine” to use THAT phrase!) Buy a DVD in advance, have a beer instead of a bottle of wine and send the difference. Donate $100 dollars or Euros towards the Post-Production Editing costs. Let’s support our artists of all kinds, musicians, dancers, painters, authors, etc. In This Thing of Ours-Adoption, we are all brothers and sisters. YES, We Can.
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